TRL host Carson Daly was supposed to interview the victor but declined, saying, “I’ve never interviewed a naked man in my life, and I’m not going to start now.” He stopped his bike, stripped and then resumed the contest, which he won. In the middle of the race, Hoppus decided he could compete better if he was unhindered by clothing. This is all mild compared with some of Blink-182’s other MTV appearances – like the time they had an indoor BMX race in the Total Request Live studio. On the air, Barker and DeLonge periodically clap like seals, and Hoppus offers this insight: “I think sex is a race to orgasm – and I’m undefeated.” During commercial breaks, the MTV stagehands joke about how the girls in the studio audience are staring at the band with unblinking concentration. Hoppus adds his name and the message, “Does this look infected?” Before the show starts, the band’s record-company escort chides DeLonge, “Try not to say ‘cocksucker’ every five words, Tom.” DeLonge nods in agreement. On the Loveline soundstage, there’s a graffiti-covered wall that serves as the designated autograph area for visiting celebrities. “Dude,” he says with a sly smile, “you ever try to buy $500 of heroin with a third-party out-of-state check?” Although he’s genuinely distressed, he still needs to play to the crowd, even if it’s just his band mates. I ask Hoppus why he carries so much cash. Or, more precisely, his wallets – he carries two, one of which contains more than $1,000 in cash, and he’s left them both at his record company’s office. Hoppus fishes around for his cell phone to call his girlfriend and realizes that he’s missing his wallet. The Private Lives of Liza Minnelli (The Rainbow Ends Here) They’re the class clowns of the Top Forty, lobbing spitballs at the whole world. And if nobody else is around, they just perform for each other. They write and perform irresistible pop-punk anthems like “What’s My Age Again?” and “All the Small Things.” They make lots of fart jokes. But put them together and a strange transformation happens, like Bruce Banner turning into the Incredible Hulk. If you speak with them individually, the three members of Blink-182 resemble Eagle Scouts more than rock stars: They’re polite, industrious young men, full of entrepreneurial Web plans and testimonials to how much they love their girlfriends. The other members, guitarist Tom DeLonge and drummer Travis Barker, nod sagely. Joe – and explain why it was lubricated.” “When you go to the emergency room and you have to convince the doctor that you slipped and fell on the G.I. ![]() ![]() “You know what’s really embarrassing?” asks Mark Hoppus, the group’s bassist. But as Blink-182 glide down the 101 Freeway in Los Angeles in a black stretch limo, on their way to an appearance on MTV’s Loveline, they have larger concerns than the strange locales to which their double-platinum album, Enema of the State, has taken them. According to revelations, the end is nigh when a punk band rides in a limousine.
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